Tuesday, November 15, 2011
Alexander Tsiaras: Conception to birth - visualized
Image-maker Alexander Tsiaras shares a powerful medical visualization, showing human development from conception to birth and beyond.
Sunday, November 13, 2011
kris aquino
Kristina Bernadette Cojuangco Aquino [born February 14, 1971], commonly known as Kris Aquino, is a Filipino television and movie personality who gained prominence from her talk shows, game shows, and numerous endorsements. She is the youngest daughter of former Philippine senator Benigno Aquino, Jr. and Corazon Cojuangco-Aquino, who served as the 11th President of the Philippines, and sister of Benigno Aquino, III, the current President of the Philippines.
source: wikipedia
Friday, November 11, 2011
freddie roach
Frederick Steven "Freddie" Roach [born on March 5, 1960] is an American boxing trainer and a former professional boxer. Roach is of Irish, Canadian and French descent. Roach is one of the most well-known boxing trainers in the world, having been voted Trainer of the Year by the Boxing Writers Association of America in 2003, 2006, 2008, 2009 and 2010. He is currently the trainer of eight-division world champion Manny Pacquiao, IBF and WBA light-welterweight champion Amir Khan, top prospects Jose Benavidez, Peter Quillin and Julio César Chávez, Jr.. Roach was also the trainer of former two-times world champion and arguably one of the best women boxers Lucia Rijker.
Roach was trained by his father Paul Roach at a young age along with his brothers Pepper and Joey. As a teenager, he was a dominant force in the New England amateur and AAU ranks. Roach turned pro in 1978, fighting as a lightweight and won his first 10 bouts. Roach trained under legendary trainer Eddie Futch and went 26–1 before appearing in a historic match at the Boston Garden on June 11, 1982.
The card that night was the first of two times that the three Fighting Roach Brothers appeared at the same time.
Brothers Joey and Pepper won their undercard bouts but in the main event, Freddie lost a unanimous decision to Beto Nunez. Freddie would rebound and go on to contend twice for the world championship.
Late in his career, Roach, who was known for being able to take on a barrage of punches, began showing early signs of Parkinson's disease. Futch asked Roach to retire but the boxer refused and continued to fight with his father as his trainer. He went on to lose five of his last six fights before retiring at age 26. His best payday was $7,500.
source: wikipedia
Thursday, November 3, 2011
FART for Fantastic Photos
© 2010 KenRockwell.com. All rights reserved
FARTing
I take my best pictures when I FART first.
FARTing helps us remember to make a strong, meaningful photo instead of just snapping away and winding up with a lot of boring, thoughtless snapshots.
FART is a mnemonic for a creative process.
F: Feel
A good photo starts when you get the feeling to take a picture. You're walking around, and come across something that seems worthy of a photo.
Bad photographers just take a picture at this point.
Maybe they get something, but often they don't, because they haven't identified what it is exactly that caught their eye. These images expect the viewer to figure it out, and guess what: viewers won't bother. They just move on to the next shot.
It's never a subject, like "a Ferrari." What catches our mind's eye and leads to a great photo is always something more abstract. What attracts us to Ferraris as photo subjects is their bold, solid, primary colors and their brilliantly pure styling.
A: Ask
Once you've got a hankering to stop and take a picture, stop and ask yourself exactly what it is that made you stop.
Is it a bold color? Is it a crazy juxtaposition? Is it the wild light? What is it, exactly, that made you want to take a picture?
Is it the brilliant Italian design, lines, motion and proportion of the Ferrari? If so, what exactly about the design caught your eye?
R: Refine
Now that you have hopefully gotten some sort of clue as to what it is that attracted your eye, the hard part is to refine the image to emphasize whatever it is.
If we can emphasize whatever it was that stopped us, the photo will be far more likely to stop others and make them say WOW!
In other words, if we liked something, was it because it had a weird texture? If so, be sure to show that texture as boldly as you can.
If you like the color of something, don't be a wimp: fill the whole frame with it.
If there is an interesting relationship between two things, be sure to do everything you can to make sure that that is what takes over the photo.
Get rid of everything that isn't directly related to whatever it is that made you want to take the photo.
Compose as strongly as you can. Eliminate everything that isn't directly related to the point of the photograph.
In the case of a Ferrari, if you don't FART before snapping, you're likely to make another boring photo of the whole car from eye level.
If you FART first, you'll ask yourself what is it about the Ferrari that catches your eye, and when you can Answer that, maybe wind up with a close-up of those big round Hella tail lights, or maybe realize that it was the redhead driving it, and instead, head out to lunch with her and save the photo shoot for later.
It's never about the obvious subject. It's always something more basic and subconscious that draws us to want to make a picture of something.
You always can refine more and more, and as you do, your photos become stronger. If it was the redhead that caught your eye, what exactly about her caught your eye? If it was her hair, what exactly about her hair grabbed you?
The better you can Answer and keep Refining this, the more your photos will grab people, be they you, your friends and family, contest judges or photo and art buyers.
T: Take
This is the easy part. Take the picture.
Be sure the exposure and color (WB) are OK, and you're done.
Reprise
If you forget to FART first, as most people do, your photos will usually be boring.
FART first, and you'll make better pictures.
Forgetting to Ask yourself "why am I taking this picture" is the leading cause getting our pictures back, and having to ask ourselves "what was I thinking?"
Because we forget to ask ourselves before we take a photo, all we get are boring snapshots, regardless of how fancy our camera or how involved our techniques.
Ask yourself first, do your best to Refine and simplify your image, and when you Take it, you should never have to ask yourself later "what was I thinking?" You'll get much better images because you were thinking.
source: KenRockwell.com
FARTing
I take my best pictures when I FART first.
FARTing helps us remember to make a strong, meaningful photo instead of just snapping away and winding up with a lot of boring, thoughtless snapshots.
FART is a mnemonic for a creative process.
F: Feel
A good photo starts when you get the feeling to take a picture. You're walking around, and come across something that seems worthy of a photo.
Bad photographers just take a picture at this point.
Maybe they get something, but often they don't, because they haven't identified what it is exactly that caught their eye. These images expect the viewer to figure it out, and guess what: viewers won't bother. They just move on to the next shot.
It's never a subject, like "a Ferrari." What catches our mind's eye and leads to a great photo is always something more abstract. What attracts us to Ferraris as photo subjects is their bold, solid, primary colors and their brilliantly pure styling.
A: Ask
Once you've got a hankering to stop and take a picture, stop and ask yourself exactly what it is that made you stop.
Is it a bold color? Is it a crazy juxtaposition? Is it the wild light? What is it, exactly, that made you want to take a picture?
Is it the brilliant Italian design, lines, motion and proportion of the Ferrari? If so, what exactly about the design caught your eye?
R: Refine
Now that you have hopefully gotten some sort of clue as to what it is that attracted your eye, the hard part is to refine the image to emphasize whatever it is.
If we can emphasize whatever it was that stopped us, the photo will be far more likely to stop others and make them say WOW!
In other words, if we liked something, was it because it had a weird texture? If so, be sure to show that texture as boldly as you can.
If you like the color of something, don't be a wimp: fill the whole frame with it.
If there is an interesting relationship between two things, be sure to do everything you can to make sure that that is what takes over the photo.
Get rid of everything that isn't directly related to whatever it is that made you want to take the photo.
Compose as strongly as you can. Eliminate everything that isn't directly related to the point of the photograph.
In the case of a Ferrari, if you don't FART before snapping, you're likely to make another boring photo of the whole car from eye level.
If you FART first, you'll ask yourself what is it about the Ferrari that catches your eye, and when you can Answer that, maybe wind up with a close-up of those big round Hella tail lights, or maybe realize that it was the redhead driving it, and instead, head out to lunch with her and save the photo shoot for later.
It's never about the obvious subject. It's always something more basic and subconscious that draws us to want to make a picture of something.
You always can refine more and more, and as you do, your photos become stronger. If it was the redhead that caught your eye, what exactly about her caught your eye? If it was her hair, what exactly about her hair grabbed you?
The better you can Answer and keep Refining this, the more your photos will grab people, be they you, your friends and family, contest judges or photo and art buyers.
T: Take
This is the easy part. Take the picture.
Be sure the exposure and color (WB) are OK, and you're done.
Reprise
If you forget to FART first, as most people do, your photos will usually be boring.
FART first, and you'll make better pictures.
Forgetting to Ask yourself "why am I taking this picture" is the leading cause getting our pictures back, and having to ask ourselves "what was I thinking?"
Because we forget to ask ourselves before we take a photo, all we get are boring snapshots, regardless of how fancy our camera or how involved our techniques.
Ask yourself first, do your best to Refine and simplify your image, and when you Take it, you should never have to ask yourself later "what was I thinking?" You'll get much better images because you were thinking.
source: KenRockwell.com
Wednesday, November 2, 2011
Tuesday, November 1, 2011
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